In this series of works, a multi-layered exploration of memory unfolds — embedded in poetic landscapes that oscillate between the inner and outer world. The deliberate choice of autumn as a setting is more than an aesthetic gesture; it becomes a metaphor for the act of letting go — for finding beauty in transience.

Geometric forms run through the compositions like fleeting traces of thought: sometimes precise and well-defined, sometimes fragmented and dissolving. They symbolize memories that surface, shift, and fade — like emotions that accompany us without needing to take hold.
The lake, a recurring motif, serves as a silent chamber of resonance. In its vastness and reflection, the past becomes audible — not as something to grasp, but as an echo that continues to resound.

In The Geometry of Letting Go, personal landscapes of memory take form. These works hold a delicate balance between light and structure, nature and inner experience — inviting the viewer to surrender to their own flow of memory.