In this series, I explore memory and the question of how we learn to let go of the past without losing it completely. My landscapes exist somewhere between the world around us and what we carry within.

Autumn plays a special role for me. I see it not only as a season of farewell, but also as a time when change reveals its own kind of beauty. Nature lets go without resisting it, and that is the feeling I wanted to capture in these works.

The geometric forms feel like fragments of memories to me. Some are clear and distinct, while others dissolve or almost disappear. This is how I experience memories too: they come back, change over time, and leave traces even as the original images slowly begin to fade.

The lake also appears again and again throughout the series. Its stillness, openness, and reflections give me the feeling that the past can simply be there without us having to hold on to it.

The Geometry of Letting Go is, for me, a very personal exploration of that space between remembering and letting go. Not everything has to disappear for us to move forward. Some things can simply remain a part of us — just in a different form.